Site Title: The Art of the Scene: Charles Truett Williams

Contributors: Katie Robinson Edwards, Jonathan Frembling, and S. Janelle Montgomery

Table of Contents

  • Contents 
  • Foreword 
  • A Moment of Time Caught in Grooves and Dimensions 
  • Charles T. Williams at Work and Play 
  • An Advocate for Art: Charles T. Williams in Fort Worth 
  • Plates 
    • Plate 1. [Troop ship] 
    • Plate 2. Indecision 
    • Plate 3. Torso #2 
    • Plate 4. Continuum 
    • Plate 5. Cowboy 
    • Plate 6. Seated Figure 
    • Plate 7. Metamorphosis III (Assembly of Birds) 
    • Plate 8. Sculptured Composition (also called Sculpture for People Who Are Accustomed to Viewing Paintings) 
    • Plate 9. Odalisque 
    • Plate 10. Untitled [Study for fountain] 
    • Plate 11. Model #2 for Weiner Fountain 
    • Plate 12. The Argument 
    • Plate 13. Earth Mother 
    • Plate 14. [Torn wax study] 
    • Plate 15. Family Group 
    • Plate 16. Toltec Heads 
    • Plate 17. Captive Audience 
    • Plate 18. Gift Object 
    • Plate 19. Gift Object 
    • Plate 20. Totems Suburbium 
    • Plate 21. Ironcestors 
    • Plate 22. Man and the Sea 
    • Plate 23. [Charles Williams] 
    • Plate 24. Mother-in-Lieu 
    • Plate 25. Beam Construction 
    • Plate 26. Masque 
    • Plate 27. Fun with Freud 
    • Plate 28. Earth Gender 
    • Plate 29. Posada Gaudi 
  • Figures and Fortunes: A Chronology of the Fort Worth Art Scene and Charles Truett Williams 
  • Bibliography 
  • Contributors 
  • Credits 
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Cite this Page
Chicago “Plates.” In The Art of the Scene: Charles Truett Williams, by Katie Robinson Edwards, Jonathan Frembling, and S. Janelle Montgomery. Fort Worth, Texas: Amon Carter Museum of American Art, 2022. https://ACMAA.github.io/art-scene/plates/.
MLA “Plates.” The Art of the Scene: Charles Truett Williams, by Katie Robinson Edwards, et al. Amon Carter Museum of American Art, 2022. https://ACMAA.github.io/art-scene/plates/. Accessed DD Mon. YYYY.
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This work is licensed under a Creative Commons Attribution 4.0 International License To view a copy of this license, visit https://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042.
This work is licensed under a Creative Commons Attribution 4.0 International License To view a copy of this license, visit https://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042.
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Plates

  • A black-and-white print on a mail envelope of a group of men sitting closely together.
    Plate 1. [Troop ship]  
  • A carved wood sculpture of a bulbous, naked standing figure with very abstract features.
    Plate 2. Indecision  
  • A carved wood sculpture of an slender, abstracted female head and torso.
    Plate 3. Torso #2  
  • A smooth stone sculpture of an abstract, bulbous seated figure.
    Plate 4. Continuum  
  • A wood and copper abstract sculpture of a cowboy head.
    Plate 5. Cowboy  
  • An abstract wire sculpture of a seated figure.
    Plate 6. Seated Figure  
  • An abstract oil painting of five, soft colored bird-like figures standing side by side in landscape orientation.
    Plate 7. Metamorphosis III (Assembly of Birds)  
  • A steel, rectangular sculpture made of skinny, pipelike pieces with flat circles, oblongs and semicircle shapes welded in random places to the pipes.
    Plate 8. Sculptured Composition (also called Sculpture for People Who Are Accustomed to Viewing Paintings)  
  • Suspended metal sculpture of an abstract reclining female figure.
    Plate 9. Odalisque  
  • A bronze sculpture with leaf-like shapes reaching upward and a sphere cradled at the bottom of the flat, broad leaves.
    Plate 10. Untitled [Study for fountain]  
  • A metal sculpture with long, skinny spikes bent in different directions with organic shapes attached in various spots.
    Plate 11. Model #2 for Weiner Fountain  
  • A bronze sculpture of three, abstract human figures all connected and standing in a semi-circle.
    Plate 12. The Argument  
  • A large, white figural sculpture in a reclining position in an outdoor setting.
    Plate 13. Earth Mother  
  • Bronze sculpture that stands on four legs and has several pointed edges as it tapers off at the top.
    Plate 14. [Torn wax study]  
  • Bronze sculpture of three human-like geometric figures that are attached in the center.
    Plate 15. Family Group  
  • Two pieces of forked steel mounted on a wood block with a round metal piece on the top of each.
    Plate 16. Toltec Heads  
  • An open wood box reveals three blocks of wood, each with an abstract face formed of nails and screws.
    Plate 17. Captive Audience  
  • A wood sculpture resembling the letter “T” made of smaller pieces of wood of varying shapes and sizes.
    Plate 18. Gift Object  
  • A decorative metal base that supports a cherub holding up a stone brick with “March 24” carved into it.
    Plate 19. Gift Object  
  • Five upright wood beams of differing heights stand outside with the underside of sink basins atop each.
    Plate 20. Totems Suburbium  
  • Two tall, rusty, industrial-looking totems with rectangular protrusions stand next to each other outdoors.
    Plate 21. Ironcestors  
  • Pieces of flat, worn wood of different sizes and shapes assembled in a metal frame.
    Plate 22. Man and the Sea  
  • Partial bronze bust of a man with closed eyes mounted on a wood pedestal.
    Plate 23. [Charles Williams]  
  • Bronze sculpture of a milk bottle with a cow udder hanging off the bottom.
    Plate 24. Mother-in-Lieu  
  • Red and blue outdoor sculpture made of steel beams with a diamond shape in the middle.
    Plate 25. Beam Construction  
  • Abstract sculpture of a mask.
    Plate 26. Masque  
  • Doughnut-shaped sculpture on a pedestal.
    Plate 27. Fun with Freud  
  • Green bronze sculpture with a thin vertical trunk that extends up through a wide bulbous shape.
    Plate 28. Earth Gender  
  • Black-and-white print of four human figures standing in an abstracted interior setting.
    Plate 29. Posada Gaudi  
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